“German-Americans and World War I, 1914-1917,” now up on the east side of the Hall of Presidents and Chancellors, marks the centenary of America’s entry into World War I by examining the arguments made by those who tried and failed to keep the U.S. out of the war. Mostly pro-German and anti-British, they promoted American neutrality and opposed arming Britain and its allies. The exhibit is based primarily on propaganda from the records of the Open Court Publishing Company, held in the Special Collections Research Center.

In the 1870’s, book cover art in the United States entered a “Golden Age” that lasted more than fifty years. Some of the work is startling for its prescience and can be associated with art movements that occurred decades after the books were produced.¹

Unlike fine bindings of an earlier age, displayed with spines facing out, books with beautiful ornamental covers were designed to be seen from all angles.

By the 1890’s, book-cover art had become so popular that publishers began to use individual artist’s names to sell books. Since this was not generally the case earlier, many great cover illustrations, unsigned, remain unidentified as to the artist.

By 1894, American artists’ monograms or devices regularly appeared on book covers to make their work more easily identifiable. These took various forms: Sarah Whitman used a flaming heart with her initials; W. W. Denslow was known by his stylized sea horse; Earl Stetson Crawford by a crowned “C.” At the beginning of the twentieth century, more than 200 monograms or devices were in use.² (See poster of some of these monograms.)

The influences on book-cover art are many. American book-cover art may have first been inspired by British decorative books, since many of the major American publishing houses had offices in London. This exhibit lists some of the artistic movements of the 19^th and early 20^th centuries and attempts to give examples of how each influenced cover art.

One must realize, however, that many artists and illustrators used a combination or fusion of styles and that artists across the country were aware of, and influenced by, the work of others. This makes it harder to identify many of the unsigned illustrations. In most cases, this curator has also attempted to represent influences, rather than rigidly attaching an artist to a particular movement.

The decline of book-cover art was precipitated by the rising popularity of pictorial dust jackets, as well as the First World War and the Great Depression—the time and labor needed to create lavish bindings could no longer be justified.

[1] Minsky, Richard. The Art of American Book Covers, 1875-1930. New York: George Braziller, Inc. 2010, 9.

[2] Ibid., 9.

Calendars in photos can be helpful for dating the image, but they can also be an eerie time capsule when they are in an unused space. Such is the case with the Doc Horrell Photo Collection. Doc Horrell was a professional photographer working in southern Illinois for decades. He was also a former student of and faculty member at Southern Illinois University Carbondale until his retirement in 1983. He documented the coal mines of southern Illinois starting in 1966 until the mid-80s.

In many of the photos of abandoned mines you can see a calendar hung on a wall or, in this photograph, piled up in front of a window. In others jackets are still hung on hooks. We are not always ready for change. The photos of operational mines are an evocative portrait of a very particular world at a particular time, and are well worth viewing to see what we can learn from them so many years later.

Written by Margaret Heller, Digital Services Librarian, Loyola University Chicago

For more information about this and other CARLI Digital Collections, visit http://collections.carli.illinois.edu

Illinois Archives Month is in October each year. The purpose of Illinois Archives Month is to celebrate and promote the rich documentary heritage of Illinois by:

• increasing public awareness of archival materials and repositories.
• focusing on materials in archival repositories that have broad appeal, and
• strengthening ties with regular archives users, as well as introducing new and potential users to archival repositories and the documentary heritage there.

Celebrate the importance of Illinois’ historical documents and recognize those who maintain them.

 

The American Library Association’s annual Banned Books Week runs from September 25 to October 1, 2016. Morris Library will host two events to mark the week, devoted to protecting the First Amendment and intellectual freedom.
On Monday, September 26, you can have your mug shot made holding a banned book. Visit the Banned Books Selfie Station at the north entrance between 11 and 1. We will post pix to #BannedBooksSIUC. You can enter a drawing for a Banned Books Week prize.
On Wednesday, September 28, join us from 1 to 3 in front of the library (or in the rotunda if it rains) to read a brief selection from your favorite banned book. Post a pic to #BannedBooksSIUC.
Do you cherish an open and free society? Stand with others who feel the same way and celebrate your Constitutional rights!

A new exhibit in the Hall of Presidents and Chancellors celebrates Ten Years of Political Papers in Morris Library.  Since 2006 Political Papers Archivist Walter Ray has processed dozens of collections documenting the careers of political figures ranging from Senator Paul Simon (800 boxes) to 1872 Presidential Candidate Victoria Woodhull (four boxes). By now an expert on Illinois politics, Walter has helped to guide researchers to useful finds that made their way into significant histories and biographies.

Congratulations to Walter Ray on this milestone and best wishes on the decade just begun!

What did Americans read for cheap thrills before the comic book era? Welcome to the world of Dime Novels and Penny Dreadfuls–colorful magazines for the masses promising action-filled tales of heroes and villains.  A new exhibit in the Hall of Presidents and Chancellors explores this world of lurid adventure. Curator David Bond chose examples from our own collection–titles like Brave and Bold Weekly, Pluck and Luck, Work and Win and the Buffalo Bill Weekly–to illustrate the heyday of this low-brow literature. Enjoy the evocative covers and learn why civic leaders condemned the genre as a pathway to depravity. Open to the public weekdays from 8:30 to 4:30.

Insight, a public affairs program, was broadcast on radio station WRAJ in Anna (Union County), Illinois, between 1965 and 1977. Don Michel, owner and operator of WRAJ, hosted Insight and interviewed interesting people both in WRAJ’s studios and at various locations around the nation.

The collection of 453 interviews includes such national celebrities as Walter Cronkite, Bob Hope, Arthur Godfrey, Colonel Sanders, Spiro Agnew, Ann Landers, Peter Jennings, Danny Thomas, Nancy Reagan, and Ralph Nader. Michel also interviewed many local people, from Anna church elders to the chief of police to the winner of a youth competition at the Anna fair. Southern Illinois University figures on record include Delyte Morris, John Y. Simon, and Buckminster Fuller. Michel also interviewed returning Vietnam veterans and former prisoners of war. Together, this collection of interviews brings to life the social, cultural, and political currents of the 1960s and 1970s in southern Illinois and beyond.

Alerted by tickertape, Don Michel covered the 1963 assassination of John F. Kennedy from Anna, contacting the Dallas police by phone and talking to an officer who arrested Lee Harvey Oswald. Michel’s continuing interest in the assassination led to interviews in New Orleans with Oswald’s landlord, a co-worker, and others, as well as coverage of the Warren Commission findings and the investigations of New Orleans prosecutor Jim Garrison.

The series was sponsored on WRAJ by the First National Bank of Cobden.  It is available online at http://collections.carli.illinois.edu/cdm/landingpage/collection/sic_insight

Underground or alternative newspapers were particularly prolific in the period 1965 to 1973, focusing on countercultural politics, civil rights, ecological concerns, women’s liberation, the draft, and the Vietnam War.  Well-known publications included The Ann Arbor Argus, Berkeley Barb, and Village Voice, but Carbondale and SIU also produced a number of alternative papers during that era.

An exhibit in Morris Library’s Hall of Presidents and Chancellors presents 18 selections of these “underground” printings, published in the Carbondale region as options to mainstream papers.  The Southern Free Press, Big Muddy Gazette, The All-American Rage, Environment, Uhuru-Sasa (Freedom Now), Black Unity, and Kol Shalom are some of the featured titles.  David Bond curated this educational exhibit.